What’s interesting is that in contrast to the story’s arc, some of the music of the movie does an excellent job of attacking, highlighting, and questioning the trials of such structural inequality and the role of the government in perpetuating the same. Jingostaan’s attack on the use of jingoism by the current regime to silence dissent, Doori’s questioning of deepening class divide due to capitalism and wealth accumulation or Azadi doing both these things and exposing corruption, are all examples. Additionally, in the garb of class, attacking caste has been a missed opportunity even though it lurks around the trope of a driver’s son having to become a driver and the consistent mentioning of aukaat. Kanhaiya Kumar’s Azadi slogan’s original lyrics that were a cry against Bhramanwaad, Manuwaad, Punjiwaad and Samantwaad are reduced to Bhukhmaari, Bhedbaav, and Pakshpat, thereby sanitizing the narrative of caste. In this context, Moen’s character does better but still ends up justifying that education equals opportunity and is a ticket to a better life. Hence, in Gully Boy’s world, while a Murad can become a success story owing to his relative privilege, Moen’s of the world are expected to resign to their faith. What becomes of them and what does their anger, their struggle and their success story look like?