Vidyadhar describes the editing of the film as the toughest aspect of the entire film, “We had multiple cuts of the film. It started with a 5-hour rush. Then we had a 3-hour 15-minute cut, which was bad. Then another 3-hour cut, which was also bad. I would even say the current cut is also bad because after a point, one loses objectivity. One day you look at a scene and feel it’s really good and the next day it looks like nothing is working in that scene. It is a very up-and-down process.
Speaking about how he and his editor Raghavendra Thirun, the filmmaker adds, “There were several points in the film where the three parallel tracks were not working. Then we started grouping. We linked these tracks by similar emotions and this gave it more cohesiveness.”