Amidst a sea of dark, underdeveloped, or confused films at a bustling film festival, ‘Thelma’ (2024) is a true gem. What makes it particularly noteworthy is its decision to cast June Squibb — the kind of actor you recognise more for stealing scenes than by name — in her first leading film role at the age of 94. That alone is reason enough to give it a watch.
In this debut from writer-director Josh Margolin, Squibb is pitched as perhaps the least likely action hero of the year: a ninety-something with average abilities who falls victim to a phone scam, losing $10,000 in the process. Inspired by ‘Mission Impossible,’ she embarks on a mission to get it back.
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Margolin, known for his improv comedy chops, brings a keen eye for the rhythms of daily life as a nonagenarian. The film serves as an ode to his real-life grandma Thelma, portrayed on screen with a blend of wit, wonder, slowed-down sweetness, and stubbornness rooted in genuine love.
Like the real Thelma, Squibb’s character lives alone in a Los Angeles condo, navigating the challenges of life following the loss of her husband. Her family, particularly her daughter Gail and son-in-law Alan, keep a watchful eye on her, though only her grandson Danny treats her as a fully-fledged individual.
The film handles Thelma’s old-age quirks and restricted world with humour and affection, avoiding mockery. It addresses the all-too-familiar phone scam situation faced by many with older relatives, adding a layer of chaos to her vulnerability. But instead of brushing it off, Thelma sees it as a challenge to her capability and determination, setting off on a quest to reclaim the money.
The ensuing journey, reminiscent of a Tom Cruise action flick but with obstacles like stairs and gadgets like hearing aids, is a joy to watch. Margolin strikes a delicate balance, blending sweetness with the realities of old age and highlighting the dignity Thelma seeks in a society that often overlooks its elderly.
‘Thelma’ 2024 is a film grounded in genuine observations of life in one’s twilight years, a perspective often missing from the big screen. It tackles the fear and consequences of a fall and the daunting task of getting onto a bed, with authenticity and sensitivity. While some moments veer towards the overly twee, the film remains slickly made, sweet, warm, and winsome.
Squibb delivers a performance that’s both understatedly funny and commanding, embodying a character who defies societal expectations and remains vital despite life’s limitations.